Writings / Fiction

Touching Home

Bunmi Oyinsan

“Stop fighting!” The hoarse voice cut through the fog on my mind as it rang out to arrest two young boys who were wrestling on the patchy field. The hoary quality of the voice surprised me, forcing me to look again at the body from which it had emanated. ‘He’ had short cropped hair and wore shorts and a faded red T-shirt. From where I sat on the low mud fence, something about him confounded me. But when he turned and I could see the face, I realized my mistake. She was female. She stood with an amputated arm criss-crossed against her one full arm on her flat chest. Was she a woman or a child? Her face from that distance looked wet, as though someone had sprinkled water all over her. I turned my face away in pursuit of my own thoughts again.

How did the Angelina Jolies and Madonnas of this world do it? All I had ever imagined or read about the process of picking a child for adoption was that the moment you held the child in your arms, you knew. The child felt right. Yet after holding ten, twelve or thirteen children, after looking through their sometimes strikingly bright, but disinterested eyes, none had felt like home to me.

“Don’t make me come after you!” The voice rang out again.

How can a child sound so old? I wondered, smiling at the irony of thinking of any of the older inmates in the home as children. War survivors: their childhood years had been expended either serving as soldiers or serving soldiers.

“The older ones go to a school in the village. We’re hoping some of them will make it to college but we’ve also lined up skill acquisition programs.” The director of the home had explained away the sixteen older “children” before proceeding to show me the babies waiting to find homes.

“You should go and sit in the shade.” I was less struck by the age of the girl’s voice this time. As she continued to walk towards me, I realised it was not water on her face but pockmarks; relics of her victory over one of death’s many failed attempts to claim her early. Her shoulders were slightly hunched; they seemed weighed down by the burden of her many battles. Her mouth too was a battlefield; it protruded, pushed outward by her upper row of teeth which might have been easily beaten into retreat by timely braces. Her eyes were dim, their radiance too weak to light teenage years. I smiled, nodding but not making any effort to get up.

“Are you taking one of the girls or a boy?” She asked, as if she could sense my dilemma.

“I don’t know. I thought I wanted a girl.”

“Some of the other parents cry because they wish they could take them all but that doesn’t make sense does it?” She had the beginning of a smile and, in spite of her ancient eyes, her face radiated a beauty which seemed out of place on her worn body.

“No.”

“In fact, it’s greedy!” The smile had grown and as she covered her mouth as if in reproach for this momentary lightness of heart, the child in her shone through her eyes, peeking from behind the woman she had been forced to become. In that fleeting moment, I saw home.

She stretched out her good arm to help me up but I reached her first, knowing instinctively that it was not going to be easy trying to coax the child out of this woman.

/ Essays

Tax and Syn/Tax

Amatoritsero Ede

/ Reviews

Poetry Reviews

George Elliot Clarke

Griffen Poetry Prize

OmahaRisinG

/ Fiction

Flying

Olive Senior

Intervention

Bernadette Dyer

Touching Home

Bunmi Oyinsan

/ Creative Non-Fiction

Going to Meet the Man

Amatoritsero Ede

/ Poetry

Halifax

George Elliot Clarke

April Ballad

George Elliot Clarke

Ballad of April

George Elliot Clarke

Accidental Photographs

George Elliot Clarke

Mountain Lines

Peter Van Toorn

Parrots not in Cleveland

Stephen Brockwell

Hemmingway’s Bistro, Oak Park, Illinois

Stephen Brockwell

Sunday Afternoons

Robynn Collins

Amatory Quartet

Chiedu Ezeanah

/ Drama

Shout Love

Philip Adams

“I am out to introduce a psychic shock into my painting, one that is always motivated by pictorial reasoning: that is to say, a fourth dimension."

– Salvador Dali
Featured Artist

Deep Thoughts

– David Kibuuka