Writings / Poetry

Christian Campbell

Scaling the Cliffs of Cheekbones

When my Bahamian grandfather passed,
my uncle asked for a madeira coffin
that would set them off.

Another uncle, the eldest on my Trinidadian side,
explained that they, twin boulders, were the reasons
shopkeepers in Brooklyn spoke to him in Spanish.

Long ago my grandmother, Carib Queen, turned through
the soil in Moruga, and handed me these two moons.

Then she walked back to Venezuela,
rising out a mountain, a blaze.

Iguana for A.T.

My friend from Guyana
was asked in Philadelphia
if she was from “Iguana.”

Iguana, which crawls and then
stills, which flicks its tongue at the sun.

In history we learned that Lucayans
ate iguana, that Caribs
(my grandmother’s people)
ate Lucayans (the people of Guanahani).
Guiana (the colonial way,
with an i, southern-most
of the Caribbean) is iguana; Inagua
(southern-most of The Bahamas,
northern-most of the Caribbean)
is iguana. Inagua, crossroads with Haiti,
Inagua of the salt and flamingos.
The Spanish called it Heneagua,
“water is to be found there,”
water, water everywhere.

Guyana (in the language of Arawaks,
Wai Ana, “Land of Many Waters”)
is iguana, veins running through land,
grooves between green scales.
My grandmother from Moruga,
(southern-most in Trinidad)
knew the names of things.
She rubbed iguana with bird pepper,
she cooked its sweet meat.

The earth is on the back
of an ageless iguana.

We are all from the Land of Iguana,
Hewanorra, Carib name for St. Lucia.

And all the iguanas scurry away from me.
And all the iguanas are dying.

About The Author

Author

Christian Campbell is a poet, scholar and culture worker of Bahamian and Trinidadian heritage.  He read for an MPhil in English at the University of Oxford as a Rhodes Scholar and completed the PhD in English at Duke University.  His debut collection of poetry, Running the Dusk (UK: Peepal Tree Press), was runner-up for the 2005 Cave Canem Poetry Prize.  He is currently Assistant Professor of English at the University of Toronto.

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