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Miklos Legrady
Canadian Postmodern is a Cognitive Dissonance: Like salt in your coffee, the #metoo of art.
It’s obvious that anyone criticizing the National Gallery of Canada or their current crop of curators and artists would look unreasonable. Objections seem absurd when …
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Kufre Usanga
Orality in Amu Nnadi’s A field of Echoes
Amu Nnadi belongs to the third generation of Nigerian poets – the generation whom some critics consider a continuation of the second generation due to a lack of definitive/clear cut ideological …